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Charles Sobhraj (Tahar Rahim, recently seen in “The Mauritanian,” and very often much better than he is here) was a true sociopath, but a unique kind of sociopath in that he didn’t really kill for the thrill of it as much as he did to maintain his lifestyle, while also obliterating the lives of those he felt were beneath him. With the assistance of his girlfriend Marie-Andrée Leclerc (Jenna Coleman) and his ally Ajay Chowdhury (Amesh Edireweera), Sobhraj gained the trust of people that the world was unlikely to miss—travelers around Southeast Asia who could disappear without much notice. He would groom them into believing he was an ally before he would steal their belongings and identities, using their passports to travel to their next location. Sobhraj was convicted of killing a dozen people. There were likely more.

The serial also introduced many new characters. A new serial named Kahani Chandrakanta Ki was started in 2011 on Sahara One TV Channel, Based on his next novel in Chandrakanta series named Chandrakanta Santati (story about Chandrakanta's sons) by the director Sunil Agnihotri, with same degree of deviations from the original Devki Nandan Khatri.

If Sobhraj is the mouse, Dutchman Herman Knippenberg (Billy Howle) is the cat, portrayed in “The Serpent” as the driving force to capture this serial killer (with the help of his wife Angela, played by Ellie Bamber, and a man named Paul Siemons, played by Tim McInnerny). Knippenberg was a Dutch diplomat drawn into the investigation of the disappearance of two of his countrymen, Henk Bintanja and Cornelia Hemker. The early episodes of “The Serpent” set the tone: a calculated sociopath and the justice seeker who is forced to climb mountains of red tape and international diplomacy just to stop him. Rahim is the cold killer and Howle is the passionate protector. However, this is not a whodunit. There’s little mystery involved, and it seems remarkably uninterested in really figuring out a sociopath like Sobhraj, spending more emotional time with Leclerc, who alternates between fearing her partner’s murderous streak and enabling him. So what’s left? Not much.

Part of the reason for that is the infuriating structure, one that not only jumps between Knippenberg and Sobhraj with alarming inconsistency but bounces around in time in such a way that it’s hard to find dramatic or thematic footing in any given episode. Just as the directors of an episode seem to build momentum, the plot shifts and jumps back in time to offer more background or recreate the last days of one of his victims. Midway through the third episode, I did some research to learn more about Sobhraj’s killing spree, and it’s never a good sign to feel like you have to do reading to understand what a show is simply failing to give you on a practical level. There’s a modern trend of chronological playfulness that TV writers have been led to believe enhances a project like “The Serpent,” but nothing drains tension in a project like this one more than lacking sheer narrative cohesion. Yes, we’re all tired of simple chronological retellings of historical events, but there’s a middle ground between that and the kind of shuffling done on “The Serpent,” which often feels like an attempt to make something more interesting through editing than it was on the page.

Chandrakanta is an epic fantasyHindi novel by Devaki Nandan Khatri. Published in 1888, it was the first modern Hindi novel. It gained a cult following, and contributed to the popularity of the Hindi language. The copyright on the novel expired in 1964 and it is now in public domain, along with other titles by the author.

It inspired Nirja Guleri's mega-budget TV serial of the same name (though the screenplay had many differences from the novel) which became one of the biggest-ever blockbusters in the history of Indian television.^[1]

Story[edit]

The story is a romantic fantasy about two lovers who belong to rival kingdoms: the princess Chandrakanta of Vijaygarh, and the prince Virendra Singh of Naugarh. Krur Singh, a member of the Vijaygarh king's court dreams of marrying Chandrakanta and taking over the throne. When Krur Singh fails in his endeavor, he flees the kingdom and befriends Shivdutt, the powerful neighboring king of Chunargarh ( referring to the fort in Chunar that inspired Khatri to write the novel). Krur Singh coaxes Shivdutt to ensnare Chandrakanta at any cost. Shivdutt captures Chandrakanta and while running away from Shivdutt, Chandrakanta finds herself a prisoner in a tilism. After that Kunvar Virendra Singh breaks the tilism and fights with Shivdutt with the help of aiyyars.

The Story slowly unfolds into Chandrakanta being kidnapped and getting rescued by Chapla. However, they get trapped into a Tilism by a quirk of fate. Prince Virender Singh starts breaking the Tilism to free Chandrakanta. The Story unfolds around the efforts of Virender Singh for breaking Tilism and King Shivdutt trying to stop him to do the deed himself.

Chandrakanta, the novel, has many sequels, prominent being a 7-book series (Chandrakanta santati) dealing with the adventures of Chandrakanta and Virendra Singh's children in another major tilism.

Chandrakanta Santati and Bhootnath are one of the finest fantasy books ever written in India.

Contents[edit]

Characters[edit]

• Maharaja Surendra Singh (King of Naugarh)
• Maharaja Jai Singh (King of VijayGarh )
• Virendra Singh
• Chandrakanta (also disguised as Van Kanya)
• RatnaGarbha (Chandrakanta's mother)
• Tez Singh (aiyyar of Naugarh, son of Jeet Singh)
• Devi Singh
• Diwan Jeet Singh (Diwan of Naugarh, also a grand aiyyar) (also disguised as Baba SiddhNath)
• Senapati Fateh Singh (Chieftain of Vijaygarh)
• Champa & Chapla (aiyyar friends of Chandrakanta)
• Diwan Kupat Singh (father of Kroor Singh)
• Kroor Singh
• Nazim & Ahmed (aiyyars of Kroor Singh)
• Hardayal Singh (Diwan of VijayGarh after death of Kupat Singh)
• Ketaki (a handmaid of Chandrakanta)
• Maharaja Shiv Dutt Singh (King of Chunargarh)
• Maharani Kalawati (Queen of Chunargarh)
• Pandit Badrinath (grand aiyyar of Shiv Dutt) (also disguised as Aafat Khan)
• Pandit Jagannath Jyotishi ( a ramal-astrologer , also an aiyyar of Shiv Dutt who mid-way joins Virendra Singh )
• Chunnilal, Pannalal, Ramnarayan, Ghasita Singh, Bhagwan Dutt (aiyyars of Shiv Dutt )
• Zalim Khan (a dacoit, distant relative of Nazim)

Tilism and Aiyyars[edit]

Chandrakanta is notable for introducing the concepts of 'Aiyyar' and 'Tilism' to Hindi literature.

Aiyyar/Aiyyara[edit]

According to Devaki nandan Khatri, An Aiyyar (male) or Aiyyara (female) is a secret agent spy fighter. He or she is expert in many arts like:

• Disguise
• Fighting skills
• Spying
• Science
• Fine arts
• Medical
• Chemistry

Disguise is must (Aiyyar/a may change him/herself into person of same or even of opposite sex but of resembling body built, by makeup).
Fighting skills are also must, for self-defence. An Aiyyar/a always overpowers any small group of ordinary soldiers.
He/she may need to spy for taking out some secrets or for finding some missing persons.
Knowledge of science and fine arts is also necessary, as it may come handy many times.
Medical knowledge, and specially that of Anaesthesia is needed for him/her.
Chemical knowledge is also needed

In a nutshell an Aiyyar is a Jack of all trades. But contrary to common belief, Khatrian Aiyyar/a are unfamiliar with magic and spells. He/she may join into any king's or landlord's service or may remain free.

The items must for an Aiyyar/a:Kamand (a long very strong cord used to climb over building secretly, or for tying opposite Aiyyar/a or captured person/s)Batua or purse (used to keep necessary medicines, makeup items, money and dry fruits)Lakhlakha must also be in the 'Batua' (lakhlakha is a kind of smelling salt used to revive any unconscious person)Khanjar or dagger (for safety and for attack)Langot or short smart pants are usually worn by male Aiyyars when in easy mood

Ethics of Aiyyars:
Never kill or torture any other Aiyyar/a (but can arrest him/her)
Never cheat your master
Never attack too many Aiyyars over a single person

The novel depicts a number of friendly and unfriendly Aiyyar.

Aiyyars on the side of Virendrasingh include:

• Tej Singh
• Jeet Singh (Tej Singh's father)
• Devi Singh;

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Aiyyars on the side of Chandrakanta:

• Chapla
• Champa

Aiyyars on the side of Krur singh:

• Nazim
• Ahmed
• Aamir

Aiyyars on the side of Shivdutt (all except last two later joined the Virendra Singh's side):

• Pandit Badrinath
• Chunnilal
• Pandit Jagannath
• Pannalal
• Ramnarayan
• Ghasita Singh
• Bhagwan Dutt

Adaptations[edit]

Chandrakanta was made into a television serial in the mid-1990s by its creator, writer, producer and director Nirja Guleri and this mega-budget serial went on to become one of the blockbusters on Indian television. The serial also introduced many new characters.

A new serial named Kahani Chandrakanta Ki was started in 2011 on Sahara One TV Channel, Based on his next novel in Chandrakanta series named Chandrakanta Santati (story about Chandrakanta's sons) by the director Sunil Agnihotri, with same degree of deviations from the original Devki Nandan Khatri novel. The story of Chandrakanta Santati was much different from the story shown by new TV serial Kahani Chandrakanta Ki. Subsequently, it failed to attract viewership and finally was cancelled.

Indian filmmaker Vidhu Vinod Chopra tried producing a film adaptation of the book, which was to be directed by Ram Madhvani. The film was to have been titled Taalismaan and included Amitabh Bachchan among the cast, playing an Aiyyar. Abhishek Bachchan was to be seen in this screen adaption of the tale of Chandrakanta. The film was never made.

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In 2017, two more TV adaptations were planned. The one on the channel Life Ok and titled Prem Ya Paheli – Chandrakanta again tries to retell the story. Unfortunately,the ending was not shown because the channel changed from Life Ok to Star Bharat.

Colors TV also started a TV show with the name Chandrakanta. Its story is totally different from the original novel. It was produced by Ekta Kapoor.

Sequel[edit]

Chandrakanta was followed by Chandrakanta Santati (in 6 Volumes). The sequel chronicles the adventures of sons of Chandrakanta.

See also[edit]

Srikala Novels

References[edit]

1. ^'Chandrakanta, the show in which Irrfan won hearts four lines at a time'.

External links[edit]

• Chandrakanta at the Digital Library of India

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